Site Logo E-PROJECTTOPICS

A FUSION OF OLELE DANCE FORMS IN PAINTING


πŸ“


Presented To


Environmental Design Department

πŸ“„ Pages: 91       🧠 Words: 10574       πŸ“š Chapters: 5 πŸ—‚οΈοΈ For: PROJECT

πŸ‘οΈβ€πŸ—¨οΈοΈοΈ Views: 443      

⬇️ Download (Complete Report) Now!

ABSTRACT
The research was experimentally done to make an exposition of Olele dance by translating Olele rhythmic dance movements into forms in painting. The inspiration taken from Olele dance, an aspect of Igala ethnic culture enabled the researcher to create illusion of Olele dance movements within the forms. The problem of the study was to make an exposition of the Olele dance in a painterly form. Literature and works that were relevant to this study were reviewed and the methodology was studio based. The data which consisted of photographs and sketches were transformed into paintings under two main stages, exploratory and developmental stages. The developmental stage was further divided into partial fusion and total fusion based on set objectives. The study revealed that motion can be created on the picture plane by the arrangement of compositional elements. It also revealed that the dissolution of forms performing the Olele dance brought about a new vista of expression. It was recommended that government should reintroduce indigenous cultural dance in school curriculum to stimulate creativity in students.

PLEASE NOTE

This material is a comprehensive and well-written project, structured into Chapter (1 to 5) for clarity and depth.


To access the full material click the download button below


OR


Contact our support team via Call/WhatsApp: 09019904113 for further inquiries.

Thank you for choosing us!

πŸ“„ Pages: 91       🧠 Words: 10574       πŸ“š Chapters: 5 πŸ—‚οΈοΈ For: PROJECT

πŸ‘οΈβ€πŸ—¨οΈοΈοΈ Views: 443      

⬇️ Download (Complete Report) Now!

πŸ”— Related Topics

AN ATTEMPT AT INTEGRATING INDIGENOUS SPATIAL HOUSEFORMS TO EVOLVE A PALACE ARCHITECTURE CREATION OF PLAY SCULPTURES USING GOURD FRUIT FORMS BALANCE AND STABILITY IN THE EXPLORATION OF EQUESTRIAN FORMS WITH CHARCOAL IN SCULPTURE A SYSTEMATIC ANALYTICAL EXPLORATION AND ADAPTATION OF THE SPIDER FORM IN PAINTING A DIALOGUE BETWEEN LINES AND FLORAL MOTIFS IN PAINTING AN INVESTIGATION OF COMPUTER APPLICATION TO PAINTING IN NIGERIA EXPLORATION OF SELECTED FROGS' COLOUR PATTERNS IN PAINTING CONCEPTUALISATION OF TRADITIONAL GBAGYI FEMALE FORM INTO MINIMALIST PAINTING CONCEPTUALISATION OF BOMB BLAST DEBRIS IN GESTURAL ABSTRACT PAINTINGS STATIC MOTION: AN EXPLORATION OF STILT DANCE POSTURES IN MIXED MEDIA SCULPTURE AN ASSESSMENT OF CONTRACTOR’S RISKS EXPOSURE WITHIN SOME STANDARD FORMS OF BUILDING CONTRACT IN NIGERIA EXPLORATORY STUDY OF THE CHARCOAL MARKET IN PAINTING USING A RESTRICTED PALETTE AN EXPLORATION OF SCULPTURE FORMS IN INSTALLATION FROM THE CONTEMPORARY CONCEPTIONS OF OMABE TRADITION DEVELOPING PAINTINGS FROM YORUBA MUSIC AN EVALUATION OF ARCHITECTURAL FORMS FOR IMPROVING ENERGY EFFICIENCY IN SHOPPING MALL DESIGN DYNAMICS OF CONCENTRIC LINES IN PAINTING SYNTHESIS OF ARABIC CALLIGRAPHY AND MOSAIC EFFECTS IN PAINTING EXPRESSIONS DEVELOPMENT OF SHERE VILLAGE FORMS IN PAINTING: A TRANSFORMATION FROM REALISM TO MINIMALISM AN EXPLORATION OF THE DYNAMICS OF LINES AND THE HUMAN FORM IN PAINTING METAPHORICAL RENDITION OF CASSIA TORA ROOT FORMS IN PAINTING

click on whatsapp